Gail Kolflat ______________________________________________________


My paintings are a recording of people today, living in our world, partaking in experiences, culture and lifestyles common to us all. Painted over a period of months, the canvases evolve much on their own. As an artist I find it compelling to create compositions of human society.

A spontaneous abstract footprint initiates every work. It soon becomes intertwined with figurative representations derived from sketches and photographs used as sources for the primary layout of a painting. Moving onward, the sources are disregarded, as I prefer to improvise while crafting a composition, relying on a continuing interaction of realistic and abstract principles.  Using human forms, objects, landscapes, and buildings, I invite the viewer into a world he/she can recognize, understand and share – as if at the scene, participating in an event, or surmising a situation.  The abstract elements “free the viewer from the monotony and predictability of a too real vision.” 

The work consists of singular or multi-panel assemblages, executed with a broad use of color. Color is of great significance, appealing to emotions and mood. I allow myself to use any pigments that seem appropriate for a painting; instinct derived from experience.

Observing and delving into the interplay of shapes, textures and colors is what drew me into the visual arts. I focus on groupings of people - who they are, where they are, why they are there, the ambiance surrounding them collectively as well as individually. Tapestries, textiles, Art Nouveau, modern abstract painting, Impressionism, the human condition, and numerous venues in Philadelphia, Chicago, Los Angeles, and New York City continue to serve as inspiration for my work.  The greatest contributing factor to the development of my art is a need to create.


Born in the Midwest, and raised in Winnetka Illinois, Gail Kolflat earned a BFA with Honors from Parsons School of Design in New York City. Her artistic career blossomed after developing a signature style of large-scale colorful canvases that meld abstract and representational components.  

Through the 1990s, Gail exhibited frequently, gave artist talks and demonstrations, wrote a column for the county art council's bimonthly newspaper, and maintained a robust studio practice.  

At the turn of the century she took a break from art while raising her daughters. Fifteen years later, an invitation from a local university to participate in an exhibition in their gallery, sparked a complete revival in the artist’s practice. SInce then, she has produced a fresh body of work, a renewal of earlier paintings but evolved - encompassing expanded topics, modified techniques, and a distinct, mature sensibility.  Her recent works portray a bold use of space and color, with themes of social commentary.


Jacob Javits Federal Building, (lobby) New York City

St Peters Church, 54th Street and Lexington, Living Rm Gallery, New York City

Gallery West – Salute to Women in the Arts, Bergen County Department of Parks,

       Division of Cultural Affairs

Johnson and Johnson World headquarters, Rotunda Gallery

University Club of Chicago

State House, Trenton, NJ, Office of the Secretary

Main Line Art Center, Haverford, PA

ArtSpace 105, Monmouth Arts, Red Bank, NJ

Edward Williams Gallery, Fairleigh Dickinson University

David Brodsky Gallery, Educational Testing Service, Princeton, NJ

Crenson Gallery, Barrett Art Center, Poughkeepsie, NY

Harrison Library, Harrison, NY

Heinz W Otto Gallery, Watchung Arts Center, NJ

East Haven Cultural Arts Council, Connecticut

Thompson Park Visitor Center, Lincroft, NJ

Winnetka Women's Club, Winnetka, Illinois

York Flournoy Ambiance, Wilmette, Illinois


The Delaware Contemporary, Wilmington

Rotunda Gallery, City Hall, New Rochelle, New York

Trenton City Museum, Ellarslie Open, New Jersey

Museum Of Fine Arts, Springfield, Massachusetts

Monmouth Museum, Lincroft, New Jersey

Lucia Gallery, New York City - National Association Of Women Artists, Soho, New York City

CALYX Cover Girls Art Show, Interstate Cultural Center, Portland, Oregon

New Jersey Center for the Visual Arts, Summit, New Jersey

Womens Caucus For Art, NY City & Hartford, Connecticut

The "A" Gallery, Palm Desert, California

Milford Fine Arts Council, Milford, Connecticut

Greene Art Gallery, Guilford, Connecticut



National Association Of Women Artists, Annual Exhibition, NY, NY, Beatrice Jackson Memorial Award —-- Jurors: Miriam Shapiro, Mary Anne Unger, and Amei Wallach

Manhattan Arts Magazine, Award of Excellence, Cover Art Competition

Art Horizons International Art Competition, New York, Certificate Of Excellence In Painting —— Jurors: Ellen Handy, Metropolitan Museum, NYC, Illene Susan Fort, Los Angeles County Museum, Walter Robinson, Art in America Art Critic

Artists' Liaison National Competition, Santa Monica, California, A Competition Winner


Parsons School Of Design, BFA with Honors, New York City 


USA Today “Artist Gail Kolflat exhibits at Watchung Arts Center” Joe Higgins

CALYX, Journal of Art & Literature by Women, Painting featured on Front & Back Cover (full color)

The Star Ledger, "Art-of-the-state panoramas"  by Eileen Watkins

Time Capsule:  A Concise Encyclopedia by Women Artists

Radio Interview, featured Artist, The Arts in Bergen County With Nell Basset

Former Editor of “ Portrait Of The Artist; Artist Profiles,” State of the Art, Monmouth County Arts Council’s bimonthly newspaper

New Jersey Network (PBS Television) ARTS TICKET

Philadelphia Style Magazine, “5 Exhibits to See Before the End Of Summer,” Claudia Langetta

New Jersey Monthly, (magazine) “Out & About,” by Cara Birnbaum

Evolution of an artist’s practice:

Below is a video featuring Gail Kolflat paintings from the CVA Gallery’s 2019 Artistic Journeys exhibition . The purpose of the exhibition was to highlight an artist’s early work with contemporary work, and phases inbetween, emphasizing the development of craft over a number of years.