Gail Kolflat

Artist Statement

As an artist I find it compelling to create compositions of human society. My paintings are a recording of people today, living in our world, partaking in experiences, culture and lifestyles common to us all.

... an opening reception

Painted over a period of months, my compositions evolve much on their own. A spontaneous abstract footprint initiates every work, and soon becomes intertwined with figurative representations. Sketches are used to lay out a painting, and then are disregarded as I prefer to improvise from that point onward, relying on a continuing interaction of realistic and abstract principles. An interplay of shapes, textures and color ensues. Instinct derived from experience. Recognizably human forms, objects, landscapes, and buildings, invite the viewer into a world he or she can understand and share – as if at the scene, participating in an event, or surmising a situation. Color is of great significance, appealing to emotions and mood, while abstract elements “free the viewer from the monotony and predictability of a too real vision.”

My work consists of singular or multi-panel assemblages. I focus on groupings of people - who they are, where they are, why they are there, the ambiance surrounding them collectively as well as individually. Tapestries, textiles, Art Nouveau, modern abstract painting, Impressionism, the human condition and numerous venues in Philadelphia, Chicago, Los Angeles, and New York City continue to serve as inspiration for my work

The greatest contributing factor to the development of my art? A need to create.

Evolution of an artist’s practice:

The above paintings were featured in the CVA Gallery’s 2019 Artistic Journeys exhibition. The exhibition highlighted early work, and contemporary work, emphasizing the development of an artist’s craft over a number of years.

Born in the Midwest, and raised in Winnetka Illinois, Gail Kolflat earned a BFA with Honors from Parsons School of Design in New York City. Her artistic career blossomed after developing a signature style of large-scale colorful canvases that meld abstract and representational principles.  

Through the 1990s, Gail exhibited frequently, gave artist talks and demonstrations, wrote a column for the county art council's bimonthly newspaper, and maintained a robust studio practice.  

At the turn of the century she took a break from art while raising her daughters. Fifteen years later, an invitation from a local university to participate in an exhibition in their gallery, sparked a complete revival in the artist’s practice. SInce then, the artist has produced a fresh body of work, a renewal of earlier paintings but evolved - encompassing expanded topics, modified techniques, and a distinct, mature sensibility.  Her recent works portray a bold use of space and color, with themes of social commentary.

Gail Kolflat Resume


Jacob Javits Federal Building, (lobby) New York City

St Peters Church, 54th Street and Lexington, Living Rm Gallery, New York City

Gallery West – Salute to Women in the Arts, Bergen County Department of Parks,

       Division of Cultural Affairs

Johnson and Johnson World headquarters, Rotunda Gallery

University Club of Chicago

State House, Trenton, NJ, Office of the Secretary

Edward Williams Gallery, Fairleigh Dickinson University

Heinz W Otto Gallery, Watchung Arts Center, NJ

Crenson Gallery, Barrett Art Center, Poughkeepsie, NY

Harrison Library, Harrison, NY

East Haven Cultural Arts Council, Connecticut

ArtSpace 105, Monmouth Arts, Red Bank, NJ

David Brodsky Gallery, Educational Testing Service, Princeton, NJ

Thompson Park Visitor Center, Lincroft, NJ

Winnetka Women's Club, Winnetka, Illinois

York Flournoy Ambiance, Evanston, Illinois



Rotunda Gallery, City Hall, New Rochelle, New York
Trenton City Museum, Ellarslie Open, New Jersey
Museum Of Fine Arts, Springfield, Massachusetts
Monmouth Museum, Lincroft, New Jersey
Lucia Gallery, New York City - National Association Of Women Artists, Soho, New York City
CALYX Cover Girls Art Show, Interstate Cultural Center, Portland, Oregon
New Jersey Center for the Visual Arts, Summit, New Jersey                                                                                   Women's Caucus For Art, N.Y. City & Hartford, Connecticut
The "A" Gallery, Palm Desert, California
Milford Fine Arts Council, Milford, Connecticut
Greene Art Gallery, Guilford, Connecticut


National Association Of Women Artists, Annual Exhibition, NY, NY, Beatrice Jackson Memorial Award —-- Jurors: Miriam Shapiro, Mary Anne Unger, and Amei Wallach
Manhattan Arts Magazine, Award of Excellence, Cover Art Competition
Art Horizons International Art Competition, New York, Certificate Of Excellence In Painting —— Jurors: Ellen Handy, Metropolitan Museum, NYC,  Illene Susan Fort, Los Angeles County Museum   —— Walter Robinson, Art in America Art Critic
Artists' Liaison National Competition, Santa Monica, California, A Competition Winner


Parsons School Of Design, BFA with Honors, New York City 


USA Today “Artist Gail Kolflat exhibits at Watchung Arts Center” Joe Higgins CALYX, Journal of Art & Literature by Women, Painting featured on Front & Back Cover (full color)
The Star Ledger, "Art-of-the-state panoramas"  by Eileen Watkins                                                                                   Time Capsule:  A Concise Encyclopedia by Women Artists
Radio Interview, featured Artist, The Arts in Bergen County With Nell Basset
Former Editor of “ Portrait Of The Artist; Artist Profiles,” State of the Art, Monmouth County Arts Council’s bimonthly   newspaper
New Jersey Network (PBS Television) ARTS TICKET